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Critics list

Danielle White

Danielle White's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Fathers of Football (2018) 2.5/5 EDIT “The cohesion of this cohort is unconvincing, no matter how many times the supporting characters drop the word "family."” – Austin Chronicle Apr 25, 2019 Full Review Teen Spirit (2018) 73% 2/5 EDIT “The musical performances increasingly become larger than life, with throbbing, generic beats and seizure-inducing neon strobes - a nihilistic carnival ride of possibility.” – Austin Chronicle Apr 18, 2019 Full Review Little (2019) 46% 1/5 EDIT “Despite the star power pushing this thing along, the plot is seemingly held together with duct tape, but the more problematic aspects involve sloppy editing.” – Austin Chronicle Apr 11, 2019 Full Review Knife + Heart (2018) 81% 4/5 EDIT “It's postmodernism at its finest.” – Austin Chronicle Apr 11, 2019 Full Review Hotel Mumbai (2018) 76% 3.5/5 EDIT “Hotel Mumbai takes a much more dramatic approach in portraying the events, and the finished product is two hours of fist-clenching action, suddenly violent and steadily horrifying.” – Austin Chronicle Mar 28, 2019 Full Review Level 16 (2018) 83% 2.5/5 EDIT “There's a building toward the inevitable, but it's not boring/predictable. It's more like a presentiment that has you saying, "No, no, no, no" under your breath with each new awful thing.” – Austin Chronicle Mar 21, 2019 Full Review Happy Death Day 2U (2019) 73% 2/5 EDIT “Yet for all its ambition with loopy timelines and dubious scientific explanations, convenient logic only justified in pushing the plot along, the actual world-building falls flat.” – Austin Chronicle Feb 14, 2019 Full Review Tito and the Birds (2018) 84% 3.5/5 EDIT “This Brazilian animated feature is an incredibly timely film.” – Austin Chronicle Feb 7, 2019 Full Review Miss Bala (2019) 22% 2.5/5 EDIT “Certain plot points are overemphasized. It veers toward parody. But it's also satisfying to see the outcome.” – Austin Chronicle Jan 31, 2019 Full Review Stan & Ollie (2018) 92% 3/5 EDIT “The bits are tinged with nostalgia, a perpetually unalleviated regret.” – Austin Chronicle Jan 24, 2019 Full Review Tejano (2018) 3/5 EDIT “The story itself slithers with twists and turns and unexpected betrayals. It's almost ridiculous how many characters die in this film.” – Austin Chronicle Jan 10, 2019 Full Review On the Basis of Sex (2018) 72% 3/5 EDIT “It's another effort to solidify her sainthood. However, it's also an easily digestible outline of Ginsburg, her career, and why her work is so important. It's a biting piece of herstory that we need right now.” – Austin Chronicle Jan 3, 2019 Full Review Ben Is Back (2018) 81% 3/5 EDIT “It's still an impactful film, one that's made for the season of giving, if giving means never giving up.” – Austin Chronicle Dec 20, 2018 Full Review Vox Lux (2018) 62% 2/5 EDIT “In a true capitalist maneuver, Vox Lux absorbs our own nihilism, wraps it in a shiny package, and sells it back to us at a profitable markup.” – Austin Chronicle Dec 13, 2018 Full Review The Long Dumb Road (2018) 74% EDIT “Overall, the film is charming and funny, even when it sticks to some well-traveled routes.” – Austin Chronicle Nov 8, 2018 Full Review Wildlife (2018) 94% 3.5/5 EDIT “Mulligan gives the performance of a lifetime as two halves of the same woman - in a lot of ways, the movie is really about her.” – Austin Chronicle Nov 1, 2018 Full Review I Am Not a Witch (2017) 98% 4/5 EDIT “If you like things to be spelled out, this is not the film for you.” – Austin Chronicle Oct 11, 2018 Full Review Science Fair (2018) 97% 3.5/5 EDIT “The adorable nerds featured are as charismatic as they are bright, and I assume it was a combination of their personalities and projects that led to their inclusion in the film.” – Austin Chronicle Sep 27, 2018 Full Review I Think We're Alone Now (2018) 63% 3/5 EDIT “There's a claustrophobic comfort to it... Yet there is space for silence and reflection, and many shots are quietly beautiful - until a Rush song blares, puncturing the meditative mood.” – Austin Chronicle Sep 20, 2018 Full Review We the Animals (2018) 92% 3.5/5 EDIT “There's a heavy dose of pathos, though the film isn't without its moments of levity. And while the narrative is fragmented, like a memory, by the end there's a seismic shift: And that's something like evolution.” – Austin Chronicle Sep 13, 2018 Full Review Support the Girls (2018) 91% 2.5/5 EDIT “Maybe it wouldn't be so confusing if what passed as the film's "resolution" involved something more than the antics of bratty anarchy. It's impossible to support the girls on such shaky ground.” – Austin Chronicle Aug 23, 2018 Full Review Minding the Gap (2018) 100% 3.5/5 EDIT “There's something inexplicably soothing about the wide shots of the boys rolling along, spiraling down the levels of a parking garage or swerving around city streets at sunset.” – Austin Chronicle Aug 16, 2018 Full Review Generation Wealth (2018) 46% 1.5/5 EDIT “The moral lesson of "spend more time with loved ones" is pretty weak sauce if I'm being honest: It's nothing more than an unheeded warning sign on the edge of the diamond-encrusted road straight to ruin.” – Austin Chronicle Aug 2, 2018 Full Review Izzy Gets the F... Across Town (2017) 56% 2.5/5 EDIT “It's all mighty existential and interesting, yet the introduction of this heady topic acts as prelude to a rather bizarre, if dark, comedic situation. The timing, like everything in this movie, is a little off-kilter.” – Austin Chronicle Jul 19, 2018 Full Review Hotel Transylvania 3: Summer Vacation (2018) 62% 3/5 EDIT “No offense to composer Mark Mothersbaugh (who is heavily involved in all three films) but the soundtrack is better this time around, thanks to some heavy, entrancing, villainous beats by DJ Tiësto.” – Austin Chronicle Jul 12, 2018 Full Review
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