David Luty
David Luty's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Acid House (1998)
42%
EDIT
“What the three stories do share are solid ideas all dressed up with nowhere to go.” –
Film Journal International
Mar 1, 2007
Full Review
American Pimp (1999)
55%
EDIT
“There's a built-in staleness to American Pimp that the Hughes Brothers are never able to overcome.” –
Film Journal International
Dec 4, 2006
Full Review
A Night at the Roxbury (1998)
11%
EDIT
“The rest of the film is on autopilot, with comic material that's spread thinner than the lone brain cell the Butabis share.” –
Film Journal International
Sep 9, 2002
Full Review
No Looking Back (1998)
36%
EDIT
“Despite its thinness, No Looking Back is a step forward for Burns. Let's hope he takes the title to heart.” –
Film Journal International
Sep 9, 2002
Full Review
Non-Stop (1996)
67%
EDIT
“Non-Stop ends in a flurry of ill-defined thugs pointing guns at one another in flimsily established face-offs, and none of it supports the story the film wants to tell.” –
Film Journal International
Sep 9, 2002
Full Review
The Faculty (1998)
58%
EDIT
“A moviegoer looking for an empty-headed waste of time could do worse.” –
Film Journal International
Jun 18, 2002
Full Review
Rat Race (2001)
44%
EDIT
“Feels all too much like a tiring run.” –
Film Journal International
Aug 27, 2001
Full Review
Cure (1997)
94%
EDIT
“Too shallow to enthrall, and it lacks the visceral energy to sustain itself as a genre piece.” –
Film Journal International
Aug 15, 2001
Full Review
Kiss of the Dragon (2001)
52%
EDIT
“It's not often in an action flick as big and loud as this that the most intimate gesture between the male and female lead is a gracious offering of brightly colored shrimp chips.” –
Film Journal International
Jul 30, 2001
Full Review
Final Fantasy: The Spirits Within (2001)
44%
EDIT
“The characters in Final Fantasy are truly artificial in more ways than one.” –
Film Journal International
Jul 24, 2001
Full Review
Simon Magus (1999)
63%
EDIT
“Despite its fine cast, this first feature by British writer-director Ben Hopkins is more clumsily realized than many a misfire in recent memory.” –
Film Journal International
Mar 29, 2001
Full Review
Spy Kids (2001)
92%
EDIT
“Well before the 80 minutes are up, most parents will probably tune out, but the little kids will surely feel like they are inside one fantastic candy store.” –
Film Journal International
Mar 29, 2001
Full Review
Sweet November (2001)
15%
EDIT
“Emotional subtlety and narrative logic were never quite in the cards for this movie to begin with.” –
Film Journal International
Mar 5, 2001
Full Review
An Everlasting Piece (2000)
48%
EDIT
“It's unpretentious almost to the point of indifference, and thus never quite wrangles enough passion or conflict to fuel the story forward.” –
Film Journal International
Feb 7, 2001
Full Review
One (2000)
59%
EDIT
“Screenplay also telegraphs the fates of both characters from very early on, a decision that sucks out a great deal of potential suspense and drama.” –
Film Journal International
Feb 7, 2001
Full Review
Ready to Rumble (2000)
24%
EDIT
“Idiot comedy 101.” –
Film Journal International
Jan 1, 2000
Full Review
SLC Punk (1999)
62%
EDIT
“SLC Punk cannot quite reach the richer depths it grasps for, because it doesn't have the material to support the large dramatic distance Stevo has to travel.” –
Film Journal International
Jan 1, 2000
Full Review
Remember the Titans (2000)
72%
EDIT
“A terrific entertainment, staged with a degree of conviction that often approaches the giddy.” –
Film Journal International
Jan 1, 2000
Full Review
Play It to the Bone (1999)
11%
EDIT
“For the first time in a Shelton sports romp, everybody loses.” –
Film Journal International
Jan 1, 2000
Full Review
Kissing a Fool (1998)
30%
EDIT
“A weak little piece of junk romantic comedy, mercilessly and lazily and literally using nostalgia as a method of manipulation.” –
Film Journal International
Jan 1, 2000
Full Review
L.A. Confidential (1997)
99%
EDIT
“This is the rare film that displays a perfect sense of star power, and how it plays to an audience.” –
Film Journal International
Jan 1, 2000
Full Review
Idle Hands (1999)
18%
EDIT
“As midnight movies go, this one is pretty mediocre, and most of its weakness derives from a certain lack of comic inspiration.” –
Film Journal International
Jan 1, 2000
Full Review
Chill Factor (1999)
10%
EDIT
“Barely thought-out jumble of Hollywood conventions dashed together in the pursuit of the almighty quick buck.” –
Film Journal International
Jan 1, 2000
Full Review
Reach the Rock (1998)
44%
EDIT
“A snail-paced, airless bore.” –
Film Journal International
Jan 1, 2000
Full Review
A Bug's Life (1998)
92%
EDIT
“The densely boisterous, richly colorful, organically amazing world created here is a relentless joy to behold.” –
Film Journal International
Jan 1, 2000
Full Review
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