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Logan Hill

Logan Hill's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Blank City (2009) 82% EDIT “No Wave filmmakers claimed their work was born out of an angry, nihilistic "no," but their legacy - and this vital documentary - suggests that they also opened up a whole other way of saying "yes."” – New York Magazine/Vulture Sep 23, 2020 Full Review Henry's Crime (2010) 43% EDIT “Fortunately, for a film that quotes so much Chekhov, Henry's Crime is likably unpretentious: a wry story about a quiet schmuck who finally sticks his neck out.” – New York Magazine/Vulture Sep 23, 2020 Full Review Ceremony (2010) 38% EDIT “Winkler's got talent, but he set such a difficult task for himself that it's no surprise he failed to clear the high bar.” – New York Magazine/Vulture Sep 23, 2020 Full Review Real Steel (2011) 60% EDIT “It's more of a throwback to Horatio Alger's Ragged Dick, a rags-to-middle-class-respectability tale about the humble joy of old-fashioned decency.” – New York Magazine/Vulture Nov 14, 2018 Full Review Rebel in the Rye (2017) 28% EDIT “It's not that Rebel in the Rye is an unusually phony Hollywood biopic -- it is familiarly phony.” – Esquire Magazine Jan 26, 2017 Full Review Your Sister's Sister (2011) 85% EDIT “With this convoluted set-up in place, three actors with extraordinary chemistry play it all out to the end, and somehow the feeling deepens, even as the jokes spiral out of control.” – New York Magazine/Vulture Mar 22, 2012 Full Review Natural Selection (2011) 74% EDIT “I'm still reeling at how high a level of difficulty this film worked at, with its bold tonal shifts, meshing of truly dark material and spastic physical comedy.” – New York Magazine/Vulture Mar 14, 2012 Full Review Damsels in Distress (2011) 75% EDIT “Stillman is in fine form, depicting this campus as a kind of Ivy League Idiocracy.” – New York Magazine/Vulture Oct 18, 2011 Full Review Brighton Rock (2010) 51% EDIT “Brighton's "not what she used to be," says one gangster, and that sure is a shame: The 1947 adaptation was so much more, and so much more strange.” – New York Magazine/Vulture Aug 29, 2011 Full Review Circumstance (2011) 86% EDIT “The film doesn't feel weighed down with the burden of representation: It's too free-flowing for that, too plot-heavy, too stylish, too romantic, too hot.” – New York Magazine/Vulture Aug 29, 2011 Full Review Friends With Benefits (2011) 69% EDIT “Fast-paced and fabulously fake, Friends With Benefits is the Red Bull of romantic comedies, unapologetically delivering a hyperactive, synthetic buzz.” – New York Magazine/Vulture Aug 2, 2011 Full Review Winnie the Pooh (2011) 90% EDIT “After a summerlong rampage of Hollywood's obnoxious misbehavior, Pooh is mercifully without sting.” – New York Magazine/Vulture Jul 14, 2011 Full Review Horrible Bosses (2011) 69% EDIT “Still, Day's scene involving a mountain of cocaine is hyperspeed-hilarious, Farrell's unhinged, irrational fuming is marvelously cretinous, and Aniston's fully committed sex-addict sexpot act is wickedly absurd.” – New York Magazine/Vulture Jul 8, 2011 Full Review Beats, Rhymes & Life: The Travels of A Tribe Called Quest (2011) 90% EDIT “it's Rapaport's mistake to spend so much time and energy unpacking something so much more obvious, and so much less interesting, than Tribe's music.” – New York Magazine/Vulture Jul 7, 2011 Full Review Monte Carlo (2011) 40% EDIT “Even within the manipulative Princess-for-a-Day genre, Disney Channel product Selena Gomez's Monte Carlo is a chintzy knockoff.” – New York Magazine/Vulture Jul 1, 2011 Full Review Cars 2 (2011) 40% EDIT “...by Pixar's outrageous standards of Oscar shoo-in virtuosity, this sequel is a disappointment at best.” – New York Magazine/Vulture Jun 24, 2011 Full Review Mr. Popper's Penguins (2011) 47% EDIT “Jim Carrey's farts-and-flippers comedy, which, though exceedingly dumb, is at least very smart about what appeals to 4- to 10-year-old kids, fans of Happy Feet, March of the Penguins, and YouTube animal videos.” – New York Magazine/Vulture Jun 17, 2011 Full Review Priest (2011) 16% EDIT “When you watch Bettany, you can't help wondering why the hell a talented actor is stuck in such an ungodly mess.” – New York Magazine/Vulture May 13, 2011 Full Review Jumping the Broom (2011) 56% EDIT “"The comedy is as familiar as the ceremony at a cookie-cutter wedding factory: Much feels old or borrowed; nothing feels new."” – New York Magazine/Vulture May 6, 2011 Full Review Something Borrowed (2011) 15% EDIT “"Inept and implausible in almost every way, Something Borrowed is the smug rom-com answer to the Apatowian man-child comedy."” – New York Magazine/Vulture May 6, 2011 Full Review Water for Elephants (2011) 60% EDIT “"Pattinson's beauty crowds out just about everything else."” – New York Magazine/Vulture Apr 22, 2011 Full Review Super (2010) 50% EDIT “For all its indie posturing, Super feels as callow as any other big studio flick to court Comic Con: A B-movie splatter flick dressed up as a critique, dressed up as a black comedy, dressed up as a spoof, and capped with an ironic epilogue.” – New York Magazine/Vulture Apr 4, 2011 Full Review Drive Angry (2011) 46% EDIT “It's the worst kind of bad: Boring bad.” – New York Magazine/Vulture Feb 25, 2011 Full Review Fanny and Alexander (1982) 100% EDIT “This premiere of the original cut, running at 312 minutes, leaves room for more than a story of one life.” – New York Magazine/Vulture Dec 1, 2008 Full Review The Betrayal (2008) 94% EDIT “Even in a city bursting with extraordinary immigrant stories, this film about a Laotian-American family's journey to Brooklyn is unusually moving.” – New York Magazine/Vulture Nov 17, 2008 Full Review
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