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Jonathon Wilson

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
Primate (2025) 78% 3.5/5 EDIT “Nothing happens in it that you won’t expect, but the way it happens still manages to surprise you, if only because of how sadistic it all feels. In this case, though, I’m pretty sure that’s the point.” – Ready Steady Cut Mar 27, 2026 Full Review Hoppers (2026) 94% 4/5 EDIT “We could use more stories like it, brought to life with the same passion and craft, espousing the same wisdom of looking, listening, and being a part of something bigger than ourselves.” – Ready Steady Cut Mar 27, 2026 Full Review Scream 7 (2026) 31% 2.5/5 EDIT “I’d also possibly argue that this franchise has now exhausted its own mythology to the point that there’s really no way it can continue without feeling so contrived that it starts to undermine and pollute its legacy.” – Ready Steady Cut Mar 27, 2026 Full Review Bodycam (2025) 87% 3/5 EDIT “Bodycam is ultimately a high-concept B-movie with a reach that exceeds its grasp.” – Ready Steady Cut Mar 27, 2026 Full Review Shelter (2026) 65% 2/5 EDIT “The cliches are baked in at a fundamental level and then piled on like a suffering Jenga tower, never amounting to anything beyond a rote procession of ideas worn threadbare by their use in a thousand other movies just like this one.” – Ready Steady Cut Mar 27, 2026 Full Review Greenland 2: Migration (2026) 48% 2/5 EDIT “The expanded scope makes for a very different-feeling sequel, one with a sort of "worst road trip ever" slapstick quality that is curiously underpinned by an exceptionally morbid funereal streak.” – Ready Steady Cut Mar 27, 2026 Full Review Pretty Lethal (2026) 62% 3/5 EDIT “The rest of it is diverting, buoyed by some game performances from an interesting young cast, but it just feels like any old blood-soaked thriller that is always on the cusp of letting loose but never quite commits to doing so until it’s too late.” – Ready Steady Cut Mar 25, 2026 Full Review Mark Normand: None Too Pleased (2026) 3.5/5 EDIT “What would have made you a household name two, five, or ten years ago might make you a pariah today, and definitely will tomorrow. In that landscape, the best thing about Mark Normand is that you can always rely on him to be Mark Normand.” – Ready Steady Cut Mar 17, 2026 Full Review War Machine (2026) 69% 3.5/5 EDIT “The ungainly offspring is an impressive-looking, surprisingly earnest, and utterly unchallenging streaming offering that’ll delight genre fans for as long as it lasts and be forgotten about entirely the second the credits start rolling.” – Ready Steady Cut Mar 6, 2026 Full Review The Bluff (2026) 54% 2.5/5 EDIT “It just feels like a movie that’s a little too ambitious action-wise, and a lot too inattentive narrative-wise, so you notice all the worst bits more than you otherwise might.” – Ready Steady Cut Feb 25, 2026 Full Review Taylor Tomlinson: Prodigal Daughter (2026) 3.5/5 EDIT “ I wouldn’t quite call this hour the sermon it’s jokingly presented as, but there are lessons to be learned.” – Ready Steady Cut Feb 24, 2026 Full Review Sommore: Chandelier Fly (2026) 3.5/5 EDIT “I don’t know how long you need to do something to be considered the "queen" of it, but Sommore is apparently the queen of comedy, and who am I to argue?” – Ready Steady Cut Feb 17, 2026 Full Review Twisted (2026) 2/5 EDIT “I appreciate the effort, but the ways in which it strives and ultimately fails make it an odd little film to consider.” – Ready Steady Cut Feb 13, 2026 Full Review Tyler Perry's Joe's College Road Trip (2026) 42% 3.5/5 EDIT “But if you can help it, don’t be too quick to dismiss Joe’s College Road Trip. You might learn something along the way.” – Ready Steady Cut Feb 13, 2026 Full Review Katt Williams: The Last Report (2026) 4/5 EDIT “The Last Report is so-called because of the Illuminati thing, the idea that every hour might be Katt’s last if he continues to aggravate the wrong people and say the things he isn’t supposed to. ” – Ready Steady Cut Feb 10, 2026 Full Review Mo Gilligan: In The Moment (2026) 4/5 EDIT “Mo has always been funny, but working out the kinks in his stage persona creates even more engagement. He’s mastering his craft.” – Ready Steady Cut Feb 3, 2026 Full Review Return to Silent Hill (2026) 18% 1.5/5 EDIT “As it turns out, returning to Silent Hill wasn’t such a good idea after all.” – Ready Steady Cut Feb 1, 2026 Full Review The Wrecking Crew (2026) 74% 4/5 EDIT “he biggest surprise of Angel Manuel Soto’s buddy-action throwback is that it isn’t content to deliver the bare minimum.” – Ready Steady Cut Feb 1, 2026 Full Review Mike Epps: Delusional (2026) 3/5 EDIT “You know where you stand with a Mike Epps special. He has been around for long enough that you know what to expect, and he has never really failed to deliver it, even if he has pretty consistently failed to deliver anything else.” – Ready Steady Cut Jan 27, 2026 Full Review Kidnapped: Elizabeth Smart (2026) 100% 3.5/5 EDIT “Her testimony is frank and unflinching, providing an intimate, deeply personal lens through which to view the heinous experiences she was subjected to.” – Ready Steady Cut Jan 24, 2026 Full Review The Big Fake (2026) 2/5 EDIT “The big issue with Netflix’s so-so Italian forgery thriller The Big Fake is that its protagonist, Pietro Castellitto’s Toni, simply can’t wait to get in over his head.” – Ready Steady Cut Jan 24, 2026 Full Review The Rip (2026) 79% 4/5 EDIT “Netflix has several bad ideas, but giving Joe Carnahan $100,000,000 is a pretty good one.” – Ready Steady Cut Jan 16, 2026 Full Review People We Meet on Vacation (2026) 76% 2/5 EDIT “It’s a trip that just doesn’t seem worth the jetlag.” – Ready Steady Cut Jan 9, 2026 Full Review Marcello Hernández: American Boy (2026) 3.5/5 EDIT “Hernandez is still a green comic, and there’s room to tighten his material as he grows, but the fact that one hour in his company leaves you feeling as if you’ve been through some sort of assault course is going to make him hard to ignore.” – Ready Steady Cut Jan 7, 2026 Full Review Ricky Gervais: Mortality (2025) 40% 3/5 EDIT “There is nothing more eminently mockable than virtue-signalling always-online faux-liberalism, but bringing up the most obviously ridiculous examples of it for an hour doesn’t necessarily constitute an act.” – Ready Steady Cut Dec 30, 2025 Full Review
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