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Crash

Play trailer Poster for Crash R 2005 1h 52m Drama Play Trailer Watchlist
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73% Tomatometer 239 Reviews 88% Popcornmeter 250,000+ Ratings
Writer-director Paul Haggis interweaves several connected stories about race, class, family and gender in Los Angeles in the aftermath of 9/11. Characters include a district attorney (Brendan Fraser) and his casually prejudiced wife (Sandra Bullock), dating police detectives Graham (Don Cheadle) and Ria (Jennifer Esposito), a victimized Middle Eastern store owner and a wealthy African-American couple (Terrence Dashon Howard, Thandie Newton) humiliated by a racist traffic cop (Matt Dillon).
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Crash

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Critics Consensus

A raw and unsettling morality piece on modern angst and urban disconnect, Crash examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos.

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Critics Reviews

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Jonathan Romney Independent on Sunday 02/28/2018
If there's anything worse than a film with no point, it's one that's all point and nothing but. Go to Full Review Anthony Quinn Independent (UK) 02/23/2015
Instead of heartwarming messages about forgiveness, it honours ambiguity and brings us close, closer than is comfortable, in fact, to what Americans today are really thinking about one another. Go to Full Review Stanley Kauffmann The New Republic 02/23/2015
[Crash] is familiar enough that it slips easily into our film-watching faculty without any fuss, yet [Haggis'] handling of it -- his muscular belief in what he is doing -- makes us hope that his next screenplay will be a bit less safe. Go to Full Review Matt Brunson Film Frenzy 03/02/2025
2.5/4
The weakest of all five Best Picture Oscar nominees (not just Brokeback Mountain) for 2005, it's still a relevant movie that would have been even better had Haggis eased up on the gas every once in a while. Go to Full Review Mark Johnson Awards Daily 06/27/2023
Crash is a bit too on the nose as it addresses racial tensions without much subtlety. The score, cinematography, and acting are all pretty outstanding, but it isn’t enough to save the tone-deaf Crash from feeling extremely contrived and overbearing. Go to Full Review Cody Dericks Next Best Picture 06/29/2022
4/10
Hampered by unrealistic dialogue and unpleasant characters, it delivers its portrayal of a world that needs changing in the most aggressive and obvious way possible. Go to Full Review Read all reviews

Audience Reviews

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Jason W @RT17982015 20h I don't see the appeal. The acting and cinematography are like something out of a cheap soap opera. The setups and payoffs and character arcs are laughable. The moral messages are so ham fisted and cliched that they come across as humorous. Any scenes meant to be uncomfortable or emotional range from painfully boring to outright cringe. How it made it anywhere near an Oscar, let alone winning for best picture is beyond me. I'd sooner watch a Neil Breen film, at least then I'd be entertained by garbage instead of just suffering through it. See more Virginia I @RT66815901 Mar 18 I saw this when it first came out and have seen it 4 or 5 times since. I know it was controversial to some, but I thought it was brilliant. Yes there were racial issues brought into the film. However, the message I took from it was more about people in generaI. I think it portrayed beautifully how a person can have both good and evil within them. We are all complicated as human beings, and no one is perfect. Acting is superb..what an amazing cast! See more Stephen C @bob25009 Mar 1 Success in 1 hour and 52 minutes. The 2006 Academy Award winner for Best Picture. See more Priscila D @Pepperspray Feb 8 Incredibility well written. Confronts the audience with all our prejudices. See more Nick O @nottergode Feb 4 Often called one of the most overrated films of all time. Is it? All I am say is I watched it and it was very well made and well acted film. Granted to this day I never saw Brokeback Mountain. Is it better than that? I don’t know. Maybe it is, maybe it isn’t. But bashing this film won’t help. Films are subjective after all. I’m one of the few that felt Silence of the Lambs and No Country for Old Men were overrated. And those are often praised. But love American Beauty and The Shape of Water which are often called overrated. So just my two cents. But Crash? Great film that doesn’t deserve the hate it gets. See more Chaz K @RT43802349 Jan 18 very poorly done movie, doesnt add up at all, and completely misrepresents actual events See more Read all reviews
Crash

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Cast & Crew

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Paul Haggis

Director

Sandra Bullock

Jean

Don Cheadle

Graham

Matt Dillon

Officer Ryan

Jennifer Esposito

Ria

William Fichtner

Flanagan

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Crash

(L-R) Larenz Tate as Peter and Chris "Ludacris" Bridges as Anthony in "Crash." (L-R) Tony Danza as Fred and Terrence Dashon Howard as Cameron Thayer in "Crash." Ria as Jennifer Esposito (left), and Det. Graham Waters as Don Cheadle (middle), in "Crash." On the set of the film "Crash." Matt Dillon as Officer Ryan in "Crash." Ryan Phillippe as Officer Thomas Hansen in "Crash." Terrence Dashon Howard as Cameron Thayer in "Crash." (L-R) Terrence Dashon Howard as Cameron Thayer, Matt Dillon as Officer Ryan and Thandie Newton as Christine Thayer in "Crash." Michael Pena as Daniel in "Crash." Michael Pena as Daniel in "Crash." View more photos

Movie Info

Synopsis Writer-director Paul Haggis interweaves several connected stories about race, class, family and gender in Los Angeles in the aftermath of 9/11. Characters include a district attorney (Brendan Fraser) and his casually prejudiced wife (Sandra Bullock), dating police detectives Graham (Don Cheadle) and Ria (Jennifer Esposito), a victimized Middle Eastern store owner and a wealthy African-American couple (Terrence Dashon Howard, Thandie Newton) humiliated by a racist traffic cop (Matt Dillon).
Director
Paul Haggis
Producer
Cathy Schulman, Tom Nunan, Mark R. Harris, Don Cheadle, Paul Haggis, Bobby Moresco
Screenwriter
Paul Haggis, Bobby Moresco
Distributor
Lionsgate Films
Production Co
Bull's Eye Entertainment
Rating
R (Sexual Content|Language|Some Violence)
Genre
Drama
Original Language
English
Release Date (Theaters)
May 6, 2005, Wide
Release Date (Streaming)
Dec 4, 2014
Box Office (Gross USA)
$54.6M
Runtime
1h 52m
Sound Mix
Surround
Aspect Ratio
Scope (2.35:1)
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