Beyond the Clouds (1995)
68%
EDIT
“Antonioni seems to be using his absence from the scene as an opportunity to restate his vision, perhaps having a new generation of filmgoers in mind.” –
Film Journal International
Mar 1, 2007
Full Review
Butterfly (1999)
96%
EDIT
“The real tragedy is the death of a liberal education.” –
Film Journal International
Jan 4, 2007
Full Review
Butterfly (2000)
80%
EDIT
“Keeping suspense through a story that we know the ending of is no small feat.” –
Film Journal International
Apr 8, 2003
Full Review
The New Eve (1999)
75%
EDIT
“Corsini manages that rare feat in French cinema--a breezy comedy” –
Film Journal International
Sep 9, 2002
Full Review
Burning Money (2000)
77%
EDIT
“Pieyro's solution for every predictable plot advancement and character relationship is a lot of frantic arm-waving, as though to insist, 'But these gangsters are gay!'” –
Film Journal International
Mar 2, 2002
Full Review
Mulholland Dr. (2001)
84%
EDIT
“[Lynch] is keying into the layers of film reality that make the art so palpable.” –
Film Journal International
Dec 10, 2001
Full Review
Tape (2001)
77%
EDIT
“With hardly any artistry in sight, the film's appeal cannot hold up, not even with a solid performance from Uma Thurman and a fine one from Ethan Hawke.” –
Film Journal International
Dec 9, 2001
Full Review
Eternity and a Day (1998)
95%
EDIT
“For at least half of its length, it is quietly revelatory, luminous and invigorating, and for those reasons it makes essential viewing.” –
Film Journal International
Oct 30, 2001
Full Review
Liam (2000)
70%
EDIT
“Maybe Frears' most unflinching drama.” –
Film Journal International
Aug 27, 2001
Full Review
The Business of Strangers (2001)
81%
EDIT
“Stettner seems to understand perfectly that all you really need for making a fine movie is a sleek script, alert performers and a damn good eye.” –
Film Journal International
Aug 27, 2001
Full Review
Famous (2000)
44%
EDIT
“Proves yet again, to believers in documentrary grit and spontaneity, that nothing improves realism like elegance.” –
Film Journal International
Aug 20, 2001
Full Review
Our Lady of the Assassins (2000)
77%
EDIT
“Schroeder assays his subject rather than assails the viewer, delivering the city in creamy, beautifully fading browns.” –
Film Journal International
Jul 30, 2001
Full Review
Adventures in Wild California (2000)
86%
EDIT
“Wild California seldom flags in energy, and there are moments of visual awe, heart-pounding exhiliration, and joy over the wonder and beauty of nature.” –
Film Journal International
Jul 3, 2001
Full Review
Thomas in Love (2000)
69%
EDIT
“Creates an entire futuristic world without, seemingly, ever changing the camera set-up.” –
Film Journal International
Jul 3, 2001
Full Review
Together (2000)
90%
EDIT
“Moodysson sensitively focuses on each person's concerns and dilemmas, but also captures plenty of scenes of life together in the crowded, spirited commune.” –
Film Journal International
Jun 27, 2001
Full Review
The Crimson Rivers (2000)
68%
EDIT
“Hatches plenty of wild turns in its final half-hour without truly tripping up.” –
Film Journal International
Jun 25, 2001
Full Review
Wonderland (1999)
62%
EDIT
“Arrestingly beautiful; you can practically get drunk on its fusion of movement, color, light and sound.” –
Film Journal International
Jun 5, 2001
Full Review
The Man Who Cried (2000)
35%
EDIT
“The whole film rings true to artful tones and positions, because Vierny sees the triumph of freedom over oppression as a kind of graceful, superlative production.” –
Film Journal International
Jun 1, 2001
Full Review
Journey Into Amazing Caves (2001)
80%
EDIT
“Like the huge face of Garbo in her silent work, the gorgeous landscapes of films such as Journey Into Amazing Caves loom over the viewer and hold an irresistible sway.” –
Film Journal International
May 30, 2001
Full Review
Our Song (2000)
91%
EDIT
“One of very few American films to investigate the contemporary scene with the thoughtful, old-fashioned run-on take.” –
Film Journal International
May 3, 2001
Full Review
Eureka (2000)
91%
EDIT
“It demands attention, and indeed strikes a blow for the classical Japanese film.” –
Film Journal International
Apr 30, 2001
Full Review
South of Heaven, West of Hell (2000)
14%
EDIT
“The conflicts, vistas, rhythm and mood are of a piece, but not every personality or circumstance is fully thought through.” –
Film Journal International
Apr 10, 2001
Full Review
Man of the Century (1999)
67%
EDIT
“Woody Allen-ish metaphysical intrigues are at the center of the clever Man of the Century” –
Film Journal International
Apr 3, 2001
Full Review
Enemy at the Gates (2001)
53%
EDIT
“Probably worth seeing for the sets, battle scenes, and the questions of patriotism and allegiance it raises early on.” –
Film Journal International
Apr 2, 2001
Full Review
Company Man (2000)
14%
EDIT
“A smart, neat little movie.” –
Film Journal International
Mar 5, 2001
Full Review
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