White Heat (1949)
94%
EDIT
“White Heat is a first-rate thriller. It is of an appalling violence.” –
The Spectator
Apr 22, 2024
Full Review
The Caine Mutiny (1954)
95%
EDIT
“The Caine Mutiny is a finely rounded, compact piece of work, intelligently written, admirably acted and directed with the minimum of fuss.” –
The Spectator
Apr 19, 2024
Full Review
Westward the Women (1951)
69%
EDIT
“It is strange that with so much going on in such novel conditions the film should be, for quite long periods, dull and flat.” –
The Spectator
Mar 7, 2024
Full Review
Sunset Boulevard (1950)
98%
EDIT
“The direction is by Billy Wilder who did Lost Weekend, and it is superb -- detailed, evocative and absorbing. Hollywood, with its mania for success is sardonically observed and there are a hundred witty touches to enliven the general atmosphere of decay.” –
London Evening Standard
Oct 11, 2021
Full Review
Reach for the Sky (1957)
80%
EDIT
“The subject, not the direction, is the remarkable fact about Reach for the Sky.” –
The Spectator
Aug 24, 2021
Full Review
Lady Chatterley's Lover (1956)
EDIT
“The love scenes, to crown it all, are cold and unsatisfactory.” –
The Spectator
Aug 24, 2021
Full Review
The Littlest Outlaw (1955)
85%
EDIT
“A pleasant little film about a horse, a boy, and a bullfight.” –
The Spectator
Aug 23, 2021
Full Review
My Dream Is Yours (1949)
EDIT
“There is nothing really the matter with this technicolor musical except that it follows too exactly the formula laid down for all technicolor musicals.” –
London Evening Standard
May 26, 2021
Full Review
The Undercover Man (1949)
60%
EDIT
“A sensible, short, moderately exciting and well constructed thriller.” –
London Evening Standard
May 26, 2021
Full Review
Train of Events (1952)
EDIT
“The trouble with having so many characters and so many atmospheres is that one cannot get on friendly terms with or care very much what happens to any of them.” –
London Evening Standard
May 26, 2021
Full Review
Film Without a Title (1948)
EDIT
“A delightful surprise.” –
London Evening Standard
May 26, 2021
Full Review
Intruder in the Dust (1949)
93%
EDIT
“I found this film completely absorbing, and if I had the strength I would see it again.” –
The Spectator
Jan 28, 2021
Full Review
The Man With the Golden Arm (1955)
81%
EDIT
“As the women in [Frankie's] life, Eleanor Parker, his neurotic crippled wife, and Kim Novak, who fights despairingly to save him, are wholly admirable. and the subsidiary parts are amply filled.” –
The Spectator
Dec 22, 2020
Full Review
The Bad and the Beautiful (1952)
80%
EDIT
“If this is Hollywood with the lid off, the smell is not pleasant, but it is certainly powerful, and i strongly urge you to take a sniff.” –
The Spectator
Aug 31, 2020
Full Review
I'll See You in My Dreams (1951)
67%
EDIT
“This story, as enacted by Mr. Danny Thomas and Miss Doris Day, is remarkable for its similarity to the life-histories of all the lyric-writers who have ever lived.” –
The Spectator
Jun 29, 2020
Full Review
Carrie (1952)
75%
EDIT
“The direction, as might be expected, is as polished as ebony, occasionally lingering a little too long perhaps to suck the substance out of a scene, but never pausing to philosophise or preach. The story is told simply and well.” –
The Spectator
Jun 29, 2020
Full Review
Lease of Life (1954)
EDIT
“Despite its many virtues, it lacks the essential factor, that of inspiring interest.” –
The Spectator
Jun 29, 2020
Full Review
Untamed Frontier (1952)
17%
EDIT
“Though smoothly directed by Mr. Hugo Fregonese, it has little new to offer on the hoof situation.” –
The Spectator
May 8, 2020
Full Review
Three Husbands (1950)
EDIT
“A disappointing film.” –
The Spectator
Apr 30, 2020
Full Review
Montana (1950)
EDIT
“Though the film follows the accustomed lines of westerns, and though neither Mr. Flynn nor Miss Smith is anything out of the ordinary, the advent of sheep in a picture of this kind is so unusual that one can scarce refrain from feeling refreshed.” –
The Spectator
Apr 30, 2020
Full Review
Rear Window (1954)
99%
EDIT
“The acting is impeccable. The novelty appealing. The climax thrilling. The length too long.” –
The Spectator
Apr 16, 2020
Full Review
Winchester '73 (1950)
100%
EDIT
“I enjoyed every minute.” –
The Spectator
Apr 15, 2020
Full Review
Born Yesterday (1950)
95%
EDIT
“Miss Holliday's slow awakening from near-imbecility to near-intelligence is certainly enchanting, and both Mr. Broderick Crawford's brashness and Mr. William Holden's shyness leave nothing to be desired.” –
The Spectator
Mar 23, 2020
Full Review
The Rules of the Game (1939)
97%
EDIT
“Though pictorially it is very satisfying, M. Renoir has mixed high tragedy and low comedy.to such an extent that one is bewildered.” –
The Spectator
Feb 22, 2020
Full Review
Pandora and the Flying Dutchman (1951)
68%
EDIT
“Oh the slowness of it all, the solemnity, the splendid tediousness of the sequences, the beautiful boring silences, the long, long looks of love!” –
The Spectator
Feb 21, 2020
Full Review
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