Batman & Robin

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Bakercakes 05/26/2023 It pains me to write this, as I’ve been a Batman fan since I could first remember, but this movie is borderline unwatchable. Everything from the script, to the way it’s shot/edited, leaves one wondering what the Hell everybody involved with it was thinking, as it was being made. See more FUN PARK T @FUN_PARK Feb 1 A film from my childhood, I watched it with rapture. See more Pietro A @101rotten Jan 11 I'ts funny? Yes, too much? Yes, thats the problem, if it was a little bit more serious i would give 5 stars, because arnold's acting it's awesome! See more Jhulio F @JFerreira44 Jan 11 Essa e uma daquelas provas que, as vezes elenco, não salva filme. E triste dizer isso pois sou fã do Batman e todos seus filmes e quadrinhos, mas este filme e uma vergonha a toda a história do Batman. See more Maksim S @MaksimusMovies Dec 19 Batman & Robin is less a superhero film than a loud caricature of one. Any sense of myth or menace is buried under endless puns, toyetic excess, and a script so flimsy it feels like a parody of the franchise rather than a continuation of it. There are fleeting moments of campy fun, but they’re nowhere near enough to sustain the runtime. Arnold Schwarzenegger is badly miscast, delivering one-liners where a villain should have presence, and the story collapses under its own silliness. Ironically, it’s the film’s darkly colorful production design — neon sets, exaggerated visuals — that does most of the heavy lifting. Visually loud but creatively hollow, Batman & Robin is a cautionary tale in excess. See more Davi 1 @Davitr3 Nov 21 There are bad films… and then there is Batman & Robin — a cinematic catastrophe so complete that it becomes a case study in how every creative decision can fail simultaneously. What should’ve been a triumphant continuation of Batman’s mythology becomes a plastic carnival stripped of weight, consequence, or artistic intention. Joel Schumacher’s direction abandons any notion of subtlety, drowning the film in neon excess until the Dark Knight becomes nothing more than a rubber mannequin. The performances collapse under the camp: George Clooney looks uncomfortable inside the cowl, Chris O’Donnell acts like he’s in a 90s toy commercial, and Arnold Schwarzenegger delivers one-liners that wouldn’t work even in Saturday morning cartoons. The script is a patchwork of bad jokes, shallow motivations, and an almost awe-inspiring inability to understand what makes Batman dramatic. Everything feels hollow, infantilized, artificial — especially painful when we remember the gothic majesty Burton had established earlier. Rating: 1/10 See more Read all reviews

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