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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
Pretty Lethal (2026) 61% D- EDIT “Vicky Jewson’s ‘Pretty Lethal’ squanders an interesting premise with paper-thin characters, dull performances, and poorly staged action.” – Film Speak Mar 26, 2026 Full Review Two Prosecutors (2025) 97% B+ EDIT “The predictability of Loznitsa’s film might hamper the final moment where Kornyev’s fate is sealed, but it still doesn’t make the movie any less impactful.” – Film Speak Mar 26, 2026 Full Review A Magnificent Life (2025) 67% D+ EDIT “What ultimately remains is a painfully hollow and vapid animated affair that will sadly be released by committing the worst possible offense against what Marcel Pagnol stands for.” – InSession Film Mar 26, 2026 Full Review Reminders of Him (2026) 55% C+ EDIT “I could’ve come here and talked about why Colleen Hoover [...] continues to misunderstand fundamental human relationships in her writing. All of this is still true. But the filmed transposition of Reminders of Him isn’t bad. Simple as that.” – InSession Film Mar 24, 2026 Full Review In the Blink of an Eye (2026) 16% 1.5/5 EDIT “What tries to be a live-action version of Godfrey Reggio’s Koyaanisqatsi, Powaqqatsi and Naqoyqatsi [...] ultimately ends up being a complete nothingburger that has nothing of interest to say, thematically, narratively, and aesthetically.” – The Cinema Spot Mar 19, 2026 Full Review Pompei: Below the Clouds (2025) 97% 3.5/4 EDIT “It’s definitely [Gianfranco Rosi's] best film, and one worth thinking about for a (very) long time…” – Awards Radar Mar 19, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 91% 3.5/5 EDIT “Peaky Blinders: The Immortal Man accomplishes a rare feat in the world of television: satisfyingly wrapping up the story of a beloved character many audience members thought they would never see again.” – Loud and Clear Reviews Mar 19, 2026 Full Review Heel (The Good Boy) (2025) 87% D+ EDIT “Komasa’s formal impulses are still intact, but they’re in service of a screenplay that has no idea what it wants to say about anything it lays in front of the audience.” – InSession Film Mar 12, 2026 Full Review undertone (2025) 72% 5/5 EDIT “A modern horror masterwork.” – Loud and Clear Reviews Mar 10, 2026 Full Review Hoppers (2026) 94% 4.5/5 EDIT “Hoppers will undoubtedly stand the test of time as one of [Pixar's] most vivid and dynamic works, at a time when they needed a reminder that innovation should always be at the forefront of every film they make.” – The Cosmic Circus Mar 8, 2026 Full Review War Machine (2026) 69% 3/5 EDIT “Hughes has never been a particularly impressive filmmaker. War Machine has finally allowed him to showcase what kind of action artist he is, without any constraints.” – The Cosmic Circus Mar 8, 2026 Full Review The President's Cake (2025) 99% 4/5 EDIT “Even when Hadi stages scenes that are lighter in nature, the spectre of Hussein’s regime is still present, and the resulting feeling of unease never goes away.” – Movies We Texted About Mar 7, 2026 Full Review Pegasus 3 (2026) A- EDIT “The pleasures of watching a film like Pegasus 3 lie in your being transported by Han’s sheer mastery of the visual medium of cinema.” – InSession Film Mar 7, 2026 Full Review Midwinter Break (2026) 63% B+ EDIT “Don’t let this movie fly off your radar.” – InSession Film Mar 4, 2026 Full Review The Napa Boys (2025) 57% B+ EDIT “There will be critics (and audience members) who will say that The Napa Boys is one of the worst movies ever made. I am not one of those people.” – InSession Film Mar 3, 2026 Full Review Dreams (2025) 52% D EDIT “Michel Franco’s ‘Dreams’ fails to meet the moment with a mostly empty erotic drama that takes a repulsive turn near its "shocking" denouement.” – Film Speak Feb 27, 2026 Full Review My Father's Shadow (2025) 97% 3.5/5 EDIT “My Father’s Shadow is slightly flawed, but one can’t overstate how cogent and powerfully told it is.” – Movies We Texted About Feb 27, 2026 Full Review Psycho Killer (2026) 10% F EDIT “[Psycho Killer] is a disaster of Wiseau-esque proportions, a once-in-a-generation piece of flopsweat so horrible it could be the next big [...] cult classic.” – Film Speak Feb 27, 2026 Full Review Scare Out (2026) F EDIT “There may never be a better example of the sentence "when you find out your goat washed" than in watching Zhang Yimou’s Scare Out.” – InSession Film Feb 25, 2026 Full Review The Bluff (2026) 54% 2/5 EDIT “[The Bluff] is yet another mindless, forgettable [...] direct-to-streaming blockbuster from Prime Video, likely to be consumed by the masses, become the "#1 movie in the world" on the streaming service and be quickly forgotten within a week.” – Loud and Clear Reviews Feb 23, 2026 Full Review Pillion (2025) 99% A- EDIT “As a debut feature, Pillion couldn’t have been better.” – Film Speak Feb 21, 2026 Full Review Blades of the Guardians (2026) 96% 3.5/4 EDIT “It absolutely does feel special that Yuen Woo-ping is still making movies and keeps finding new ways to enthrall audiences by showcasing images (and stunts) you’ve never seen before.” – Awards Radar Feb 21, 2026 Full Review How to Make a Killing (2026) 44% 2/5 EDIT “On the heels of Park Chan-wook’s [No Other Choice], releasing something as toothless and dull as How to Make a Killing feels unacceptable.” – The Cosmic Circus Feb 19, 2026 Full Review Nirvanna the Band the Show the Movie (2025) 98% 5/5 EDIT “You’ve never seen anything quite like Nirvanna the Band the Show (and the Movie). There isn’t anything like it, and there definitely won’t be a worthy successor anytime soon.” – The Cosmic Circus Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% D- EDIT “This is the first time I've felt nothing while watching a movie by one of my favorite artists, who should probably keep taking a sabbatical if his grand return to moviemaking is as listless as this…” – Film Speak Feb 11, 2026 Full Review
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